{"id":4563,"date":"2025-07-29T05:04:02","date_gmt":"2025-07-29T05:04:02","guid":{"rendered":"https:\/\/photographytrust.org\/?page_id=4563"},"modified":"2025-08-05T07:40:46","modified_gmt":"2025-08-05T07:40:46","slug":"2020-2","status":"publish","type":"page","link":"https:\/\/photographytrust.org\/index.php\/2020-2\/","title":{"rendered":"2020"},"content":{"rendered":"\t\t
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Photography Trust : 2020 Highlights\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tIn 2020 we supported powerful photo projects that shared the voices of people often ignored \u2014 including informal workers,\nprisoners, and Beed district farmers drought conditions.Through photo grants and special features in our magazine Samyak Drishti,\nwe brought attention to real issues like caste, gender, and rural struggles. \n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tWe hosted live talks, panel discussions, and workshops that connected experienced photographers with learners and communities.\nOur workshops gave young people hands-on training and helped them tell stories from their own lives and surroundings.\nSamyak Drishti grew as a strong platform for documentary photography, sharing inspiring work from across India and beyond.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"2020-15\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tConversation with Ian Willms \u2014 Indian Photo Festival Winner<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSamyak Drishti hosted an insightful Facebook Live session with Ian\nWillms, winner of the Indian Photo Festival Open Call. In conversation\nwith Aniruddha Cheoolkar and Nileshh Gawde, Ian shared his\nphotography journey, contributions to National Geographic, TIME, The\nNew York Times, and discussed his award-winning documentary work.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tA Unique Discussion on Documentary Photography<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSamyak Drishti hosted a dynamic Facebook Live session bringing\nphotographers and enthusiasts together to explore the art, ethics, and\npower of documentary storytelling. The interactive session inspired\nparticipants to view photography as a tool for social change and\ncommunity impact.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tRepresentation of Marginalised Voices in Photography\nDuring the Indian Photo Festival, a special Zoom panel was held\nfeaturing Sudharak Olwe, Prof. Y. S. Alone, and S. Santhosh. The\ndiscussion focused on inclusive representation, systemic exclusion, and\nvisual justice in photography and media.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tSamyak Drishti \u2014 Special Issue Launch<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSamyak Drishti launched a special issue during the Indian Photo Festival\n\u2013 Hyderabad. The issue featured stories from around the world focused\non documentary photography, art, and films.\nRegister to receive free monthly issues:\nhttps:\/\/samyakdrishti.co\/contact-us\/<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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H.M. Reddy: A Trailblazer Remembered<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tA featured article by film theorist Amrit Gangar paid tribute to H.M.\nReddy, the pioneering Telugu director who made India\u2019s first multilingual\nsound film. The story celebrated Reddy\u2019s bold departure from policing\nto pursue cinema as a tool of cultural resistance.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"2020-20\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSumitra Gagrai: Stories of Change<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSumitra Gagrai, CII Woman Exemplar Awardee and grassroots health\nworker with Ekjut India, shared her inspiring journey supporting tribal\nmothers and children. She was one of 25+ women trained by PPT in\nvisual storytelling to document community health initiatives.\n@ekjutindia @photographypromotiontrust @samyakdrishti.official\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tMisfortune: Stories Behind Bars<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tThis emotional photo series by Abhijeet Gujjar, supported by the Samyak Drishti & Photo South Asia Grant,\nexplored the lives of inmates during family reunions in Kolhapur Central Jail. The series highlighted prison\nreform, emotional resilience, and the human side of incarceration.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tRandeep Maddoke: Exposing Injustice in Punjab<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tRandeep Maddoke, a grant recipient, documented caste-based violence and social exclusion of Dalit landless\nlabourers in Punjab during the pandemic. His photographs o\u001dered a raw portrayal of systemic oppression\nand resistance in rural India.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tTaniya Sarkar: Documenting Informal Workers in Crisis\nTaniya Sarkar\u2019s project exposed the economic and emotional toll faced\nby informal workers during the COVID-19 lockdown. Her work, also\nsupported by the Samyak Drishti & Photo South Asia Grant,\ndocumented survival, gender disparity, and invisible labour through\nphotographs and interviews.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"2020-30\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tGrant Winners Announced\nSamyak Drishti & Photo South Asia Grant winners were announced\nlive, highlighting impactful documentary projects on incarceration,\ncaste, gender, and labour during the pandemic.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tCelebrating Our Second Issue with Jay Ullal<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tTo mark the release of Samyak Drishti\u2019s second issue, a live event featured iconic\nphotographer Jay Ullal in conversation with special guests like Raghu Rai, Milind\nDeora, and others. Jay shared reflections from his career, including work with the\nGandhis, the Dalai Lama, and Nargis Dutt.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"2020-29\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tInvisible\u2013Visible: Uncovering Hidden Realities\nThis powerful photo-essay by Sudharak Olwe, in conversation with Prof. Y.S.\nAlone, examined caste, labour, and the unseen realities of life in India. Rooted in\nAmbedkarite thought, the project used photography as a tool to challenge\ndominant representations and expose normative oppression.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tOther Field Engagements<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tKarjat Workshop \u2013need to check drive one more time( Student work\npreserved, no formal records.)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tSocial Documentary Photography Workshop \u2013 Karjat\nOn 15th and 16th February, we hosted a two-day Social Documentary\nPhotography workshop at Dharap Agro Farm, Karjat. Guided by\nmentors Sudharak Olwe, Indrajit Khambe, and Nilesh Gawde, the\nworkshop focused on the fundamentals of visual storytelling rooted in\nreal-life social contexts.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tParticipants engaged in fieldwork, received expert reviews, and\nexplored the ethics and impact of documentary photography. Set in\nthe peaceful surroundings of Karjat, the workshop o\u001dered a powerful\nblend of practice, reflection, and creative learning.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tPhotography on Wheels \u2013 In 2020, Beed district in Maharashtra faced a severe\ndrought. Over 600 villages depended on water tankers as wells and reservoirs dried\nup. Poor rainfall led to widespread crop failures in cotton, soybean, and tur, causing\nfinancial distress among farmers. Farmer suicides remained high due to rising debt.\nDespite hardships, some locals created water solutions by digging wells. Photography\nPromotion Trust highlighted the urgent need for long-term water conservation and\nsustainable farming practices.\n(Beed \u2013 Covered drought situations.)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tPPT Mumbai Program \u2013 We collbrated with BMC for creation of ART CENTER in\nBMC schools.Providing opportunities for young people from disadvantaged and\nmarginalized sections of society to learn photography and other arts and to use this\nmedia to help them in identifying and collectively addressing problems in their\nrespective social and natural environments and empower them.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Activity Summary \u2013 2020<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\tLive Talks \/ Panel Discussions: 6+<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ian Willms conversation
Documentary photography panel
Representation of Marginalised Voices
Special Issue Launch
Jay Ullal live session
Grant announcement + community stories<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\tPhotography Projects \/ Articles Published: 7+<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Misfortune (Abhijeet Gujjar)
Taniya Sarkar (Informal Workers)
Randeep Maddoke (Dalit Farmers)
Sumitra Gagrai (Health Worker)
H.M. Reddy (Film Tribute)
Invisible\u2013Visible (Sudharak Olwe)
Samyak Drishti Issues<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\tWorkshops \/ Field Engagements : 3 Documented<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Karjat Student Workshop
Photography on Wheels \u2013 Beed
Mumbai city engagement<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\tPhoto Grants Awarded: 3 (Publicly Highlighted)<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Abhijeet Gujjar
Taniya Sarkar
Randeep Maddoke<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Photography Trust : 2020 Highlights In 2020 we supported powerful photo projects that shared the voices of people often ignored […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-4563","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/pages\/4563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/comments?post=4563"}],"version-history":[{"count":155,"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/pages\/4563\/revisions"}],"predecessor-version":[{"id":4770,"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/pages\/4563\/revisions\/4770"}],"wp:attachment":[{"href":"https:\/\/photographytrust.org\/index.php\/wp-json\/wp\/v2\/media?parent=4563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}